My DH pointed out to me yesterday, as he studied in Exodus 26:12, that specific uses for fabric remnants were given back in Moses’ time. Check out the King James version Online (and many variations.)
I had a little piece of yellow Daisy Lace fabric by Tina Givens Fairy Tip Toes for Westminster Fabrics, not quite 36 inches square.
I also had two coordinating Fairy Tip Toes prints, a Chocolate Cup Cake Medley and a Yellow Ribbon Fare. Plus, I found some plain yellow not-quite-quilting standard fabric, and serged together a patchwork top in 13″ squares. I used the Daisy Lace for the backing, and some Warm & Natural Needled Cotton batting (on sale at JoAnn’s).
I added some simple machine embroidery to the plain yellow blocks, in a dark plum color thread.
I tried to embroider a name with my sewing machine’s Text Stitching function, but I couldn’t get it to do right through all the layers, so I picked it all out, then hand-embroidered it in the same needle hole-ridden spot.
The real reason for this madness was that I was dying to try free-motion quilting.
Currently, I subscribe to so many sites that send me creative prompts all the time. Knitting, crocheting, Artist Daily, quilting, Real Simple, Fabulous After Forty are a few of the emails I get every day! Lately I’ve actually paid some attention to the Art Quilting (or is it Quilting Arts?) ideas that filter across the ethernet to my inbox. “You can do it!” they assure me. “Don’t be afraid!” “Just put on some music, get comfortable, set your feed dogs on free motion, and go for it!”
Although I’ve always thought of myself as (gawsh, gee-whiz) artistic, I also have that left-brain push that wants me to go by the book, everything pigeonholed into the correct category and function, to make it work. That’s why I needed to see the instructions for free-motion quilting, even though what it amounts to is, you just do your own thing. You lower the feed dogs (my machine has a settings screen with check boxes and + or – numbers), attach a free-motion foot (mine is open-toed) and just move the fabric around while you put your foot on the pedal.
I tried it out and needed to adjust the plus or minuses, which govern how close the needle gets to the throat plate: you want to have enough room for the fabric to move around freely. The current issue of Quilting Arts has several articles on free-motion machine quilting. I decided to try the stipple motif, which turned out not exactly perfect. But you don’t have to be. Grabbing the rather heavy thickness of several layers of fabric and batting, and moving it around, can be a bit strenuous! I can see how Nancy Zieman’s grabaroos might be useful.
For the binding, I used double fold bias tape in a coordinating plum shade.