The May issue of Threads has an article that enticed and enchanted me from the cover until I put the project down and said, “There, I’m finished.” The cover proclaimed “Design the Best Skirt for Your Body.” Since my body won’t listen to me and immediately shed the extra 5 to 10 inches that is hanging around my waist like an albatross, I was interested in seeing just what skirt the author Kelly Tygert thinks my body would look good in. Page 51 is where the article begins, and it shows 4 different skirt types, each with a solid black panel that is supposed to accentuate or eliminate the model’s waistline yay’s or nay’s.
Tygert’s four waistline types, according to the article, are rectangle, inverted triangle, hourglass, or triangle. Although I could have gone with either rectangle or triangle, I chose to experiment with the latter. I had two remnants, one a solid black knit, and a black and white spandex-infused almost-yard that I would have loved to have a skirt from, but I know less than a yard is not enough to cover my bohunkus without assistance from some additional fabric.
I used the skirt sloper I’d drafted from Deborah Moebes’ Craftsy Class (you can see how I made it in this post) and altered it according to the pattern in the Threads article. As is usual for me, I had problems from A to Z.
First off, the black fabric turned out to be lighter and more sheer than I thought. Therefore, when I sewed the black panels to the print fabric, it wasn’t a good match for them. I had trouble sewing the curve and making it even on both sides of the panel. I decided to cut out two of each black piece, the back waistband and the front waistband with the center panel, and make a matching facing on the inside that was an exact copy of what you see on the outside. That was looking better. For the curves where the print fabric meets the black panel down the center, I ironed on some Pellon interfacing to the inside, so that the horrible old panel didn’t look so wrinkled and awkward.
Anyway, it worked. And though I hand-basted the facings down on the inside, before stitching in the ditch along the seam lines on the outside, I felt the extra work was worth it because the fabric was too springy to really get ironed into place. And just a little more laboring over it with a hot iron might turn it into melted, smelly, burnt polyester.
So there we have it, supposedly the best skirt for my figure type, and definitely a bargain in that one can use less of the expensive fashion fabric to accomplish such, even making use of a half-price remnant that might otherwise have gone into the landfill. What do you think?